Literary Aspects Of Annes S - 2041 Words

Anne’s case presents a two-fold result for historians. On a macrocosmic scale, Anne’s self-fashioning presents women’s social roles in a game intended for them to lose. Microcosmically, however, it presents the case of the consequences of a queen who would be king. Of course, Anne’s execution presents the most obvious proof of this claim and the common outcome for rivals to a monarch. However, on a more personal level, Henry’s destruction of her personal effects offers deeper evidence of their rivalry and his determination to diminish her legacy. Without her personal items and letters, the scholar turns to her two extant portraits. Holbein’s portrayals of the smirking young woman proves the commissioner’s idealized lady, as well as what they desired to show her as. This destruction of items relating to her time as Queen leads any examination of Anne to rely on what is known, rather than what would successfully relate her to her peers t hroughout history, in order to determine her role in ruling. Continuing from the literary aspects of Anne’s life, the scholar finds the physical remnants, two paintings. The first work, commonly called the Hever Rose Portrait, hangs still at Hever Castle in Kent, encapsulates exactly what sort of persona and attitude the commissioner saw in her and desired others to see. The darkness of the portrait promotes mystery, a charm not often harnessed by noble women. As seen in Vives, Capellanus, and Mallory’s works, aloof women align with, but doShow MoreRelatedPersuasion - Austen s Canonical Final Words1466 Words   |  6 Pagesreflects early 19th century Britain in a way that resonates with current modernistic society, thus justifying its inclusion in the Literary Canon. 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